F This Movie!: Nobody Cares But Me: Meet Joe Black
There is a scene in the final moments of Meet Joe Black in which a few short hours, remarks to those gathered for his birthday party that he has What would it take for you to be able to say the same thing at the end of your life? . In fact, the odds are good that you've directly or indirectly encountered me. The premise of the movie isn't bad, and many of the actors are good in their It's too long and the ending was not satisfactory. Another of my favorite movies, Meet Joe Black can be a bit slow at times, but each time . It contains hate speech. Meet Joe Black script at the Internet Movie Script Database. QUINCE Hi, Bill -- PARRISH Good morning, Quince. If you don't start with that, what are you going to end up with? you did, he'd clock it and punch it into his laptop in order to pull out some key phrases when he gives the Commencement Speech at Wharton.
One night, after dinner, Death Brad Pitt appears with an offer: The longer Bill can keep him interested in remaining corporeal, the longer the reprieve. So Bill introduces Death, renamed "Joe Black," to his family: With his almost childlike innocence, Joe is an immediate hit with everyone except Drew, who sees him as a rival for Susan's affections.
His fears are justified; soon Joe and Susan are falling for each other, and there's nothing that Bill can do to stop the doomed relationship. The centerpiece of Meet Joe Black is the romance between Joe and Susan, but it's not the kind of motion picture love affair that causes the spirit to soar. Forlani and Pitt may both possess matinee-style good looks, but they generate no heat or chemistry, and, as a result, they end up being featured in some of the most painfully protracted and awkward romantic sequences of any movie this year.
As bland as they are together, they're not much more compelling when apart.
Meet Joe Black () - Meet Joe Black () - User Reviews - IMDb
At least Susan shows hints of three-dimensionality. Joe is unreadable - sometimes ingenuous, sometimes ominous, but never interesting. And, since Death has been watching humankind for eons, how is it that he doesn't understand what kissing and sex are?
When it comes to a spiritual being taking a physical form, Nicholas Cage's angel in City of Angels wins the sweepstakes. In general, Brad Pitt is not a terrible actor, and I give him credit for trying to broaden his range, but his work here is execrable. Pitt's acting, in concert with Brest's heavy-handed direction, makes this character a complete waste of celluloid.
Meet Joe Black (United States, 1998)
Joe Black looks like death warmed over. Anthony Hopkins does his best to add a dose of class to the proceedings, but there's only so much he can do, and he isn't given an especially meaty part. Claire Forlani, the young beauty from Basquiatshows great promise, although there are a few scenes when she looks like a deer caught in a car's headlights. As is Brest's trademark, there's plenty of emotional button-pushing, only this time, the director doesn't have a good feel for how best to manipulate the audience.
There's a big speech near the end and a lot of melodramatic music, but, instead of leading the viewer into a state of emotional rapture, it all rings hollow. Perhaps it's because there's no rapport between the audience and the characters, or perhaps it's because the movie has long since worn out its welcome. Either way, the grand finale, like almost everything else in the movie, is a dud.That's vifleem.info can I tell you?
Emmanuel Lubezki's photography is impossibly beautiful. Same for Thomas Newman's score, which some critics accused of being cloying and treacly and which can still make me start crying to this day. I think I cried for the last 45 minutes of the movie all the way through the end credits set to Israel Kamakawiwo'ole's cover of "Somewhere Over the Rainbow. This is crazy because watching it with any sort of emotional distance reveals that it's super repetitive as Anthony Hopkins says goodbye to one person after another.
That shit worked for me. Some movies just hit us in the right way at the right time. I knew that about myself in and I know it still today. I won't defend Meet Joe Black as a great film. I won't even defend it as an underrated one, as I recognize that everyone's reasons for disliking the movie are completely valid. But the movie offered me something I needed on that weekday afternoon and continues to offer me something I need today.
It is a movie that is not sad about death or loss. It's a movie that says living a good life is its own reward, and when the time finally comes to leave that has to be enough. Of course, it helps that Anthony Hopkins' character, a media tycoon named Bill Parrish, is a billionaire. Living a "good life" comes more easily to those with all the fuck you money in the world.
This is an aspect of the movie I struggled with for a long time, because for all its universal messages about dying I felt like it completely removed itself from the real world by focusing on an incredibly wealthy and powerful family planning an incredibly huge and extravagant party.
But it comes in part, I think, from the fact that Martin Brest's screenplay is an adaptation of the film Death Takes a Holiday, in which Frederic March plays Death taking over the body of a nobleman. It's a movie about a royal family, and clearly Brest chose to suggest that the Ted Turner-like media tycoon of his version is the American equivalent of royalty.
Or maybe it's a choice driven by plot; would Death now Brad Pitt want to hang out on Earth for a week if he came across a family crammed into a two-bedroom apartment? Maybe he just wanted to live the good life for a few days. But what it really comes down to, I think -- and the reading that makes me most comfortable with what the film is about -- is the idea that death comes for us all.
It is the great equalizer, and while Bill Parrish is able to pass away in greater comfort than someone wasting away in a hospital bed or a homeless person freezing to death on the streets of a Chicago winter, the end result is the same. It's inevitable, and Meet Joe Black is about that inevitability. All the money in the world doesn't change it.
One of the movie's big problems is the performance of Brad Pitt, who has chosen to play Death as a morose, wide eyed child; it's weird that he has been around since the beginning of time and knows so much about the way the world works but is still amazed by peanut butter.
I have suggested before that Brad Pitt is a great character actor stuck with the looks of a leading man, and Meet Joe Black is that weird movie where those two halves of his screen persona come together uncomfortably.
He's got his bland, blonde late-'90s look and is presented as the romantic lead of the film but attempts to infuse his performance with character actor choices and please don't get me started on the scene where he speaks in a Jamaican accent.
Maybe that's a miscalculation, or maybe they're just the wrong choices. His performance has all the energy and dynamism of syrup, which only makes a three-hour movie feel longer. Ironically, he's at his best when he's just doing his nice-guy romantic comedy stuff early on in the film before some terrible late '90s CGI kills him off with one of the most shocking and weirdly mean-spirited car accidents ever committed to film.
- Meet Joe Black
- Anthony Hopkins: William Parrish
He has a long scene in which he has coffee with Claire Forlani -- what the great Roger Ebert dubbed the "meet cute" -- and their chemistry is lovely and adorable. We're totally ready to watch a movie about these two people falling love, and Brest understands that this scene has to work in order for us to feel the loss that comes immediately after. He overplays his hand by having them say goodbye and go off on their separate ways, only to then take turns stopping and looking back at one another six or seven times it gets to be as ridiculous as Cameron Diaz running towards the fence at the end of The Holiday.
Still, the moment works for me. This is the last time these two characters will see one another as they are, in a matter of speaking. It's a moment about the sadness of missed opportunity and the road not taken. A much larger problem is the fact that Meet Joe Black is at least three or four movies trying to coexist with one another.
It's a movie about Anthony Hopkins facing the end of his life. It's a fantasy about Death getting to know what life is like on Earth.
It's a romance between Brad Pitt and Claire Forlani. It's a movie about a father and his two daughters Forlani and Marcia Gay Hardenone of whom he clearly favors even though the other desperately seeks his love and attention.