Isabella Linton in Wuthering Heights: Description & Analysis | vifleem.info
Isabella Linton is a fictional character in Emily Brontë's novel Wuthering Heights. She is the sister of Edgar Linton and the wife of Heathcliff. . Interaction. Help · About Wikipedia · Community portal · Recent changes · Contact page. The Presentation of Isabella in Wuthering Heights . Even to Isabella's weeping over Heathcliff's violence to Edgar with the tureen of hot why, instead of trying to help Isabella by, for example, forbidding Heathcliff to visit the. What kind of reception does Isabella receive at Wuthering Heights? Isabella wants Nelly to help her escape Heathcliff, because she knows that Linton will not .
It becomes apparent that Heathcliff is seducing Isabella when he "embraces her", much to Catherine's dislike.
In explanation, Heathcliff reveals to her that he "will have his vengeance", and that he does not love Isabella: After several months, Heathcliff and Isabella marry, but she soon realises her mistake, sending a long letter to Nelly in which she details her hostile and displeasing "welcome" at the Heights and her hatred for Heathcliff, who has made it clear that he has married her only because he is now the heir to the Grange.
Isabella is reduced to the status of the abused, hurt and degraded wife, and Nelly describes Heathcliff as looking like "the only one decent" in the household, while Isabella has seemingly lost the title of Miss Linton of Thrushcross Grange. Isabella grows to despise her vengeful, tyrannical husband. After Catherine dies, Isabella taunts Heathcliff by insisting that Cathy's death was entirely his fault. She also points out that Hindley EarnshawCatherine's brother and Heathcliff's greatest enemy, has the same eyes as her, despite Heathcliff's relentless attempts to "gouge them out".
This provokes Heathcliff to a deep and passionate anger, which results in yet another brawl between himself and Hindley. Seeing it as a chance to flee, Isabella escapes Wuthering Heights and her disastrous, terrifying marriage once and for all.
She describes the occurrence thus: The back of the settle and Earnshaw's person interposed between me and him; so instead of endeavouring to reach me, he snatched a dinner-knife from the table and flung it at my head.
It struck beneath my ear, and stopped the sentence I was uttering; but, pulling it out, I sprang to the door and delivered another; which I hope went a little deeper than his missile.
The last glimpse I caught of him was a furious rush on his part, checked by the embrace of his host; and both fell locked together on the hearth. In my flight through the kitchen I bid Joseph speed to his master; I knocked over Haretonwho was hanging a litter of puppies from a chair-back in the doorway; and, blessed as a soul escaped from purgatory, I bounded, leaped, and flew down the steep road; then, quitting its windings, shot direct across the moor, rolling over banks, and wading through marshes: And far rather would I be condemned to a perpetual dwelling in the infernal regions than, even for one night, abide beneath the roof of Wuthering Heights again.
Heathcliff repeatedly calls Catherine his soul. Such a love is not necessarily fortunate or happy.
- Isabella Linton
Day Lewis, Heathcliff and Catherine "represent the essential isolation of the soul, the agony of two souls—or rather, shall we say? Clifford Collins calls their love a life-force relationship, a principle that is not conditioned by anything but itself.
Love in "Wuthering Heights"
It is a principle because the relationship is of an ideal nature; it does not exist in life, though as in many statements of an ideal this principle has implications of a profound living significance. Catherine's conventional feelings for Edgar Linton and his superficial appeal contrast with her profound love for Heathcliff, which is "an acceptance of identity below the level of consciousness. This fact explains why Catherine and Heathcliff several times describe their love in impersonal terms.
Are Catherine and Heathcliff rejecting the emptiness of the universe, social institutions, and their relationships with others by finding meaning in their relationship with each other, by a desperate assertion of identity based on the other?
Catherine explains to Nelly: What were the use of my creation if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning; my great thought in living is himself.
Isabella Linton in Wuthering Heights: Description & Analysis
If all else perished, and he remained, I should still continue to be; and, if all else remained, and he were annihilated, the Universe would turn to a mighty stranger. I should not seem part of it" Ch. Dying, Catherine again confides to Nelly her feelings about the emptiness and torment of living in this world and her belief in a fulfilling alternative: I'm wearying to escape into that glorious world, and to be always there; not seeing it dimly through tears, and yearning for it through the walls of an aching heart; but really with it, and in it" Ch.
Their love is an attempt to break the boundaries of self and to fuse with another to transcend the inherent separateness of the human condition; fusion with another will by uniting two incomplete individuals create a whole and achieve new sense of identity, a complete and unified identity.
This need for fusion motivates Heathcliff's determination to "absorb" Catherine's corpse into his and for them to "dissolve" into each other so thoroughly that Edgar will not be able to distinguish Catherine from him. Freud explained this urge as an inherent part of love: Love has become a religion in Wuthering Heights, providing a shield against the fear of death and the annihilation of personal identity or consciousness. This use of love would explain the inexorable connection between love and death in the characters' speeches and actions.
Wuthering Heights is filled with a religious urgency—unprecedented in British novels—to imagine a faith that might replace the old. Nobody else's heaven is good enough. Echoing Cathy, Heathdiff says late in the book, "I have nearly attained my heaven; and that of others is altogether unvalued and uncoveted by me! The hope for salvation becomes a matter of eroticized private enterprise Catherine and Heathcliff have faith in their vocation of being in love with one another They both believe that they have their being in the other, as Christians, Jews, and Moslems believe that they have their being in God.
Look at the mystical passion of these two: That passion is a way of overcoming the threat of death and the separateness of existence.