Abbott And Costello Meet Frankenstein : DVD Talk Review of the DVD Video
Find Abbott and Costello Meet Frankenstein/Abbott and Costello Meet the Mummy (PAL) at vifleem.info Movies & TV, home of thousands of titles on DVD and Blu-ray. Read the individual reviews for more details. “Abbot and Costello Meet. It seems that Count Dracula (Bela Lugosi), in league with a beautiful but diabolical lady scientist (Lenore Aubert), needs a "simple, pliable" brain with which to. Parents need to know that Abbott and Costello Meet Frankenstein combines black On DVD or streaming: August 29, ; Cast: Bud Abbott, Lon Chaney Jr .
The team had been in a prolonged slump, first following a year-long absence from the screen due to Lou Costello's rheumatic fever and the death of his infant son and then by a feud that semi-separated the pair for two films. Hydethe Mummy and, on television, the Creature from the Black Lagoon But Abbott and Costello Meet Frankenstein unquestionably is the best of these variable monster spoofs. The script by Robert Lees and Frederic I. Most importantly, it treats the monsters respectfully.
It certainly uses the monsters to better advantage giving the Frankenstein Monster far more screen time than those two films combined. In House of Dracula, the Monster doesn't even get off the slab until something like 20 seconds before the movie ends. McDougal Frank Ferguson anxiously awaits shipment of two big crates.
Lawrence Talbot Lon Chaney Jr. The monsters briefly come to life at the House of Horrors, escaping into the night, but only Wilbur sees this and no one, not even Chick, believes him. Talbot traces the crate back to Chick and Wilbur, but makes the mistake of revealing that when the moon is full he turns into the Wolf Man.Abbott and Costello Meet Frankenstein (1948) Movie Review
Chick and Wilbur think him mad. Meanwhile, Chick is baffled as two beautiful women pursue roly-poly Wilbur: Joan, it turns out, is an insurance investigator also trying to track down the missing crates, while Sandra is actually fugitive Dr.
Sandra Mornay, who in league with Dracula plans to transplant Wilbur's pliable brain into the head of the Frankenstein Monster! Abbott and Costello Meet Frankenstein perfectly balances its straight monster movie elements with its broad slapstick. Despite the rather peculiar Florida coast setting 's Son of Dracula and the following year's The Mummy's Curse had been set in Louisiana and its anachronistically Gothic island castle, the film is very much in keeping with the stylish look of Universal's '40s monster movies.
I wish I could have experienced the film when it was new and when audiences still found the monsters genuinely frightening.
Abbott and Costello Meet Frankenstein – Variety
They really were, too. Hand-in-hand with this is that while there are myriad verbal and sight gags as Bud and Lou scramble to get away from the monsters, there's a vital hint of real peril, that something terrible really could happen to them.
I was struck, for instance, near the climax, when Sandra, scalpel in hand, is about to cut into Wilbur's skull. It's not a joke.
The high definition greatly enhances the viewing experience. The textures of the elaborate sets of the castle, the wonderfully moody lighting, the special optical effects animation of Dracula turning into a bat and back againthe special make-ups including Talbot's transformation into the Wolf Manand the animated by Walter Lantz main titles, all look far clearer and in a richer, less washed-out black-and-white than ever before.
- Abbott and Costello Meet Frankenstein
John Carradine played Dracula in House of Frankenstein and House of Dracula, but Bela Lugosi, for only the second and last time in a movie, ultimately played Dracula here. Chick is a rationalist and is sure that these are imitations made of wax, but every time he leaves the room, these creatures come alive and Wilbur is at their horrific mercy. But before long the creatures disappear into the night. What follows is a furious and hilarious slapstick comedy with scares and laughs mixed at the same rapid pace.
With slapstick and the Abbott and Costello stick millions have come to love, the film hinges around these two talented comedians. However with the addition of the famous monsters and the fact that they are made fun of in the way they are, elevates the movie into a league of its own. The film is presented in its original 1.
DVD Review & High Definition
Scratches and dust are evident in the transfer on occasion and there are surprisingly little registration problems, and noise is also at a minimum. Contrast is also very good and ranges from the deepest blacks to the brightest whites. The transfer renders all shades of gray very nicely and gives the movie a balanced look. No edge-enhancement has been applied to the transfer and the result is an image that never feels overly sharpened and instead always nicely film-like.
The compression is without flaws and nit a hint of a compression artifact can be found anywhere on the disc.
With a low noise floor the track is surprisingly clean and clear. Although some noise reduction must have been applied to the track, it is never noticeable and also leaves the high end of the audio fully intact without cutting of important sounds, or creating a muffled impression. A bit of sibilance is evident in the track but that is hardly surprising in a film of this age, and the narrow frequency response gives the audio a bit of a harsh quality.
Considering the circumstances however, I was very pleasantly surprised how well the audio of this film actually held up. Film historian and filmmaker David J. Skal has contributed another one of his great documentaries to this release.